art-centric:

Victor Charreton - Avenue Longchamps
inneroptics:

Greta Garbo. Antiqua, - Harry Benson.
suparlak:

"We are not going in circles, we are going upwards. The path is a spiral; we have already climbed many steps." — Hermann Hesse (Siddhartha)
iheartmyart:

Pierre Debusschere
(via notorious-art)
______
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More Pierre Debusschere on iheartmyart.More fashion on iheartmyart.More photography on iheartmyart.

(Fonte: leadingtone)

Stina Nordenstam - Little Star

art-centric:

Felix Vallotton - Femme accroupie offrant du lait à un chat

zveneczi:

J.S. Bach (1685-1750):: Brandenburg Concerto No. 5 in D major, BWV 1050 - 3. Allegro

NEY Tibor - violin, SZEBENYI János - flute, FISCHER Annie - piano, Hungarian Radio Symphony Orchestra, Otto KLEMPERER (1950, Budapest)

Otto Klemperer (May 14, 1885 - July 6, 1973)

"Un indicatore della salute mentale è la capacità di un individuo di entrare in forma immaginativa e in maniera accurata, nei pensieri, nei sentimenti, nelle speranze e nelle paure di un’altra persona; e anche di concedere a un’altra persona di fare la stessa cosa con lui."

- D.Winnicott (via ilgiocodelleorenuove)

(Fonte: soffinelvento, via mastrangelina)

likeafieldmouse:

J. S. Bach - Prelude & Fugue in F Minor, WTC I, BWV 534 - Glenn Gould

(via darksilenceinsuburbia)

treebystream:

Montserrat Gudiol

azizalbraik:

by Stephan Balleux

darksilenceinsuburbia:

Cara Thayer & Louie Van Patten

“One of our goals has always been to paint with the intention of the finished work resembling that of an individual painter. In trying to find a common inspiration with each other, we discovered that it is very difficult to define who you are to another person and explain your feelings with any kind of consistency, let alone authenticity. When you attempt to define yourself with conviction, you can easily attach yourself to an unsustainable perspective. Furthermore, as our lives are driven by self-definition, what we understand to be authentic is constantly in flux, regardless of intention. In our work, we have become interested in these ideas being personified in paint. What is the face of self-mythologizing? What is comfort? Can the counterfeit be as effective as the real thing? Or is something like comfort simply defined by how we define ourselves? These are questions that we feel are better suited to be asked with paint, rather than words.” -Cara Thayer & Louie Van Patten